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Ich reflektiere die Fragilität und Wandelbarkeit der fragilen Subjekt-Objekt-Beziehung.\n\n",[364,308,307,304,305,362,309],"kleio:record_f4be01f0-e788-4531-bff0-56dfb8cb95e1",{"@id":530,"@score":258,"@type":259,"kleio:category_tags":532,"kleio:cover_asset":534,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":535,"kleio:user_record_id":537,"kleioapi:in_set":538,"kleioapi:in_space":539,"kleioapi:is_actor":6,"kleioapi:main_date__date":354,"kleioapi:main_date__date__lower":355,"kleioapi:main_date__date__upper":356,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":540,"rdfs:label__de":540,"schema:title":540,"schema:title__de":540,"threems:relatesTo":259},[533],"kleio:tag_a470379a-66ca-47aa-ad9d-debc1505f5d1","kleio:asset_a0b79af5-0e11-4718-97a6-ebc327ce1a26",[536],"kleio:tag_f9df9903-3a39-4759-8e68-c68570b294a4",206,[39],[25],"CoronaKunstGlarus","kleio:record_223ff102-4225-4b2a-b5c1-df24ece359cc",{"@id":541,"@score":258,"@type":259,"kleio:category_tags":543,"kleio:cover_asset":544,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":545,"kleio:user_record_id":546,"kleioapi:in_set":547,"kleioapi:in_space":548,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":549,"rdfs:label__de":549,"schema:description":550,"schema:description__de":550,"threems:relatesTo":259},[393],"kleio:asset_4ed05fd3-8b59-47b4-9225-24879b14dbf6",[336],170,[39],[25],"CRISS CROSS","Gruppenausstellung im Kunsthaus Aussersihl Chateau au Lac Hornegg\n\nBeteiligte: \n","kleio:record_766b645b-3f8e-483a-b7db-fe86554c7096",{"@id":551,"@score":258,"@type":259,"dc:creator":553,"kleio:category_tags":555,"kleio:cover_asset":558,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":559,"kleio:user_record_id":560,"kleioapi:creator__labels":561,"kleioapi:creator__labels__de":563,"kleioapi:in_set":564,"kleioapi:in_space":565,"kleioapi:is_actor":6,"kleioapi:main_date__date":566,"kleioapi:main_date__date__lower":567,"kleioapi:main_date__date__upper":568,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":569,"rdfs:label__de":569,"schema:description":570,"schema:description__de":570,"schema:keywords":571,"schema:title":569,"schema:title__de":569,"threems:relatesTo":259},[554,256],"kleio:record_75631db8-2b7c-4dd8-828f-391c96c9ae6c",[497,556,514,557],"kleio:tag_751af3da-c15d-4aca-b9e1-1a4189f4ec3a","kleio:tag_category_collective","kleio:asset_300f01ea-13d2-47d1-9dea-198b591618e5",[283],195,[562,65],"Meret Wandeler",[65,562],[36],[25],"2004","2004-01-01","2004-12-31","Das Häkelobjekt","\nEin **Langzeitprojekt **von Regula Michell und Meret Wandeler\nStart: Mai 2004, Dauer: lebenslang\nProjekt\n\nRegula Michell und Meret Wandeler arbeiten seit Mai 2004 einmal pro Monat zu zweit oder gemeinsam mit Gästen am Häkelobjekt. Nach Ablauf der ersten zehn Jahre lautet der Beschluss: lebenslänglich! Die Künstlerinnen häkeln einmal pro Monat weiter, so lange beide am Leben und häkelfähig sind.\n\nDas Objekt wird aus rosa Acrylwolle hergestellt. Gehäkelt wird jeden Monat an einem anderen Ort im öffentlichen oder privaten Raum. Alle TeilnehmerInnen einer Aktion arbeiten am gleichen Stück. Weiter werden keine formalen oder technischen Vorgaben gemacht (sog. Freestylehäkeln). Auf Anfrage können die Künstlerinnen von Institutionen, Firmen oder Privatpersonen für Häkelaktionen engagiert werden. Bei grosser Nachfrage finden in einem Monat mehrere Aktionen statt.\n\nRegula Michell und Meret Wandeler sind an jeder Aktion dabei. Bei Krankheit, Auslandaufenthalt etc. können sie eine Vertretung bestimmen. Jede Aktion wird von anwesenden Personen vor Ort (PassantInnen, ZuschauerInnen) fotografiert. Auf einem Protokollblatt werden Ort, Datum, Dauer, TeilnehmerInnen und besondere Vorkommnisse festgehalten.",[363,310,572,573,574,364,365,308,361,305,309,575],"kleio:tag_content_6469","kleio:tag_content_14837","kleio:tag_content_feminist","kleio:tag_content_diversity","kleio:record_240846",{"@id":576,"@score":258,"@type":259,"dc:creator":578,"kleio:category_tags":579,"kleio:cover_asset":580,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":581,"kleio:user_record_id":582,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":583,"kleioapi:in_space":584,"kleioapi:is_actor":6,"kleioapi:main_date__date":585,"kleioapi:main_date__date__lower":586,"kleioapi:main_date__date__upper":587,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":588,"rdfs:label__de":588,"schema:description":589,"schema:description__de":589,"schema:keywords":590,"schema:title":588,"schema:title__de":588,"threems:relatesTo":259},[256],[374],"kleio:asset_6ebd4655-1098-458f-ab62-3992b9568f1b",[283],46,[36],[25],"1994","1994-01-01","1994-12-31","Das verlorene Augenlicht","Serie von 15 Blättern mit dem Augenlichtmotiv\n\ndas verlorene Augenlicht\nwas bedeutet es das Aaugen\nlicht zu verlieren und\nzu tappen zu tappen im\nDunkeln Leeren Fremden\nzu Hause auch auch zu\n\nzu zu zu immer mehr\nLeute verlieren das Augen\nlicht war es einmal als\nalles noch Blau leuchtete\nund die Rosenroten Sonnen\nblumen im Vordergrund\nder Dreiklang obwohl die\nAaugenlichtverorenen auch\nfast nichts mehr hören\nkonnten sie später auch\ngarnichts erahnen von allem.",[367,305,309,591,592,310,360],"kleio:tag_content_2722","kleio:tag_content_14823","kleio:record_240319",{"@id":593,"@score":258,"@type":259,"dc:creator":595,"kleio:category_tags":596,"kleio:cover_asset":597,"kleio:default":6,"kleio:record_owner":60,"kleio:status_tags":598,"kleio:type_tags":600,"kleio:user_record_id":601,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":602,"kleioapi:in_space":603,"kleioapi:is_actor":6,"kleioapi:main_date__date":457,"kleioapi:main_date__date__lower":458,"kleioapi:main_date__date__upper":459,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":604,"rdfs:label__de":604,"schema:description":605,"schema:description__de":605,"schema:title":604,"schema:title__de":604,"threems:relatesTo":259},[256],[447],"kleio:asset_5a948b73-3818-42b7-a85f-78125def55e3",[599],"kleio:tag_0bedeaba-b145-4532-b792-54865ec0f31e",[283],40,[36],[25],"De Sibesiech","**DE SIBESIECH**\n\nZUKUNFT \nDer Neumarkt Oerlikon soll brut und wie aus der Zeit gefallen bleiben. Die Typologie, Volumetrie, Material- und Farbqualität des Neumarktes Oerlikon wird pointiert erweitert. \n\nABSICHT\nAusgehend von den bereits eingesetzten Farben und Oberflächen entwickle ich ein‚ post-postmodernes Zeitzeugenzitat‘, das den vorherrschenden architektonischen Trends einen humorvollen Kontrapunkt entgegensetzt.\n\nFeinsinnige Akzentuierungen von Fassadenflächen und Volumen, Inversionen und Schnitten, Metall- und Betonteilen heben Qualitäten und Brüche gleichermassen hervor. Der Neumarkt Oerlikon bleibt ein autonomer und ambivalenter Einzelgänger, der seinen gegenwärtigen und zukünftigen Nachbarn auf Augenhöhe begegnet. Und er birgt das Potenzial zum Leuchtturm in sich – er isch äbe ‚ä Siebesich‘!\n","kleio:record_240011",{"@id":606,"@score":258,"@type":259,"kleio:category_tags":608,"kleio:cover_asset":609,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":610,"kleio:user_record_id":611,"kleioapi:in_set":612,"kleioapi:in_space":613,"kleioapi:is_actor":6,"kleioapi:main_date__date":614,"kleioapi:main_date__date__lower":615,"kleioapi:main_date__date__upper":616,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":617,"rdfs:label__de":617,"schema:description":618,"schema:description__de":618,"schema:title":617,"schema:title__de":617,"threems:relatesTo":259},[393],"kleio:asset_08a1c3fb-adfb-426d-b937-76348cf1461c",[336],8,[39],[25],"2021-05-15/2021-05-16","2021-05-15","2021-05-16","Der Internationale Museumstag","Internationaler Museumstag\n\nAnlässlich des Internationalen Museumstag 2021 fand im Kunsthaus Aussersihl im Kreis 9 ein Festival statt. Mit grosser Ausstellung, Konzerten und Performances. Samstag und Sonntag 15. und 16. Mai 2021. Filiale Flüela, Flüelastrasse 32, 8047 Zürich. Bildergalerie rechts: ©Lee|Li photography\n\nBeteiligte Künstler*innen:\nMARC ELSENER, ANDREA MUHEIM, MARIA POMIANSKY, SEBASTIAN SIEBER, ALEX ZWALEN, ELIANE BINGGELI, BOSKOVIC-SCARTH, MAYA BRINGOLF, FRANÇOISE CARACO, QUYNH DONG, SUSANNE HOFER, URS HOFER, NIK HUBER, TANJA KALT, VERICA KOVACEVSKA, GEORGETTE MAAG, ELIANE RUTISHAUSER, DORIS SIGNER, SUSANNE SAUTER und REGULA MICHELL, REGULA SPÖRRI. MARIA POMIANSKY zeichnet Protokolle. ALEX ZWALEN malt vor Ort.","kleio:record_240229",{"@id":619,"@score":258,"@type":259,"dc:creator":621,"kleio:category_tags":623,"kleio:cover_asset":624,"kleio:default":6,"kleio:record_owner":60,"kleio:status_tags":625,"kleio:type_tags":626,"kleio:user_record_id":627,"kleioapi:creator__labels":628,"kleioapi:creator__labels__de":630,"kleioapi:in_set":631,"kleioapi:in_space":632,"kleioapi:is_actor":6,"kleioapi:main_date__date":633,"kleioapi:main_date__date__lower":633,"kleioapi:main_date__date__upper":633,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":634,"rdfs:label__de":634,"schema:description":635,"schema:description__de":635,"schema:title":634,"schema:title__de":634,"threems:relatesTo":259},[622,256],"kleio:record_240230",[447],"kleio:asset_63c1cd81-245c-4f89-a69f-2ae14a16d35b",[599],[283],26,[629,65],"Eliane Rutishauser",[65,629],[36],[25],"2021-04-30","Die Fuge","**Die Fuge**\n\nEine gefaltete Betonwand verbindet die beiden historischen Gebäude, Stadthaus und Eckstein. Das Stadthausgeviert erhält mit dem monolithischen Faltenbalg, von goldgelben Glaselementen flankiert, einen Kontrapunkt.\n\nAusgehend von einem aus Papier gefalteten Faltenbalg, mit gesetzten Unregelmässig-keiten, erhält die Fuge ihre Form und behält dadurch, trotz ihrer Betonmaterialität, eine lebendige Leichtigkeit. \nDie Fuge wirkt als kraftvolle, zeitgenössische Geste der Verbindung und Repräsentation. Form und skulpturaler Charakter verweisen auf Flexibilität und Innovation. \nInnen wie Aussen sind die Falten der Verbindung gleichermassen sichtbar.\nDer zylindrische Glaswindfang nimmt als Schnittstelle Materialität und Farbgebung der seitlichen Glaselemente auf und akzentuiert die Faltungen der Fuge. \nJe nach Tageszeit und Sonnenstand zeigt sich die Fassade in einem ständig wechselnden Licht- und Schattenspiel.\nDie feine Oberfläche und die hell-dunkel schwingenden Grautöne, nehmen die Tonalität des Sandsteins des Stadthauses auf. So wird, sowohl die traditionelle Farbigkeit des spätbarocken Stadthauses wie auch die feine Farbnuancierung des Ecksteins hervorgehoben. \n\nDer Belag der Stadthausgasse wird im Vorhof, als Streifen, entlang den Fassaden von Stadthaus und Eckstein bis zu den goldgelben Gläsern geführt. Die Verzahnung von öffentlichem und privatem Raum wird so sichtbar. Der gerahmte Vorplatz wird dunkelgrau und unversiegelt realisiert. \n\nDurch ihre eigenständige Geste in Form und Farbe lässt die Fuge den Rücksprung – Schwarzer Hof – als Teil des differenzierten Hof-Quintetts im Stadthausgeviert erklingen.","kleio:record_624e2a37-71b8-4316-b1aa-bf19b05502b0",{"@id":636,"@score":258,"@type":259,"dc:creator":638,"kleio:category_tags":639,"kleio:cover_asset":640,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":641,"kleio:user_record_id":642,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":643,"kleioapi:in_space":644,"kleioapi:is_actor":6,"kleioapi:main_date__date":645,"kleioapi:main_date__date__lower":646,"kleioapi:main_date__date__upper":647,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":648,"rdfs:label__de":648,"schema:keywords":649,"schema:title":648,"schema:title__de":648,"threems:relatesTo":259},[256],[374],"kleio:asset_170dd094-e5cf-4a0b-9dae-758be557b419",[283],158,[36],[25],"2005","2005-01-01","2005-12-31","Digital I 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Ging #I_02-08","Wände mit schwarz-weiss bedruckten A3 Blätter tapeziert. \nBodeninstallation mit ca.1550 Digital I Ging Modulen 6 x 6 cm aus je 144 Bügelperlen. \n2 Digital I Ging Strickdecken Doubleface, Unikate nummeriert und 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